Night after night, an activist in Amsterdam cannot sleep, kept awake by sixteen hours of screen time and an endless barrage of violent images from around the world.

Peer into the lives of tech workers, and their perspectives on big tech and data, through a personal tour of their phones.

leff's opening lecture asks how the essay film can respond to the invisual — the hidden systems of data, algorithms, and labour that shape how images are produced, processed, seen, and unseen.

The evolution of witchcraft through the ages is traced in this proto-essay film made over 100 years ago. Stunning monotone vignettes form a visionary blend of fictionalised documentary and horror film. This silent film will have live sound performed by members of Sticky Buttons Records.

Expanded cinema work, utilising several filmmaking techniques and narrative tropes to understand Mass Psychogenic Illness (MPI) as a strategy of disruption in the factories of Singapore.

A collage of personal archival footage reveals the history of a semi-utopian, metaphorical city, where all the streets are named after poets. When war begins, upheaval leads to confusion and residents find themselves lost amid the memories of the forgotten poets.

A visual and psychological investigation regarding the shooting down of an airplane in which digital artefacts sourced online by the artist are combined with audio recordings from the control tower and a poignant voice-over.

An image unfurls slowly and enigmatically. So too do childhood memories of women, loss and disappearance, narrated meditatively like a meandering river.

Driven by the desire to defeat his demons, artist Jeroen Kooijmans pays tribute in Love-22-Love to art, his love for his wife, and the dark corners of his psyche. At the lowest point of his life, love serves as a remedy.

An imageless film, sounds from a repatriated colonial archive are interrogated to construct an emancipatory relistening to sounds collected through colonial violence.

A relistening and reinterpretation of colonial recordings of New Guinea made in 1961 by Michael Rockefeller, heir to the Standard Oil family.

A reproduction of an American leaflet is mistakenly taken for a bomb threat at an exhibition by Rabih Mroué. In his lecture-performance, he reflects on the unstable relationship between images, politics and reality.