Afterimages

An online video essay programme curated by Kevin B. Lee

Afterimages gathers video essays that insist on staying with images. The programme takes its cue from Kevin B. Lee’s film Afterlives, also screened at this festival, which follows difficult images into the archives, reconstructions and AI systems where they circulate long after their makers are gone. Several of these works use the desktop to follow images into the corners of the internet. Some reflect on the problem of witnessing the suffering of others from a distance. Others attend to the space where images used with good intentions lead to harmful effects, what Afterlives terms "violent care". Every work here can be watched online. On an internet that has grown restrictive, these works remain available to find their way into other lives.

This online program runs until Nov 18, 2026


Distant Journey Through the Desktop | Jiri Anger & Jiri Zak | 2021

Practices of Viewing: Distance | Johannes Binotto | 2022

Algorithmic Boarders | Silvia Cipelletti | 2025

Watching the Pain of Others | Lého Galibert-Laîné | 2018

The Archival In-Between | Evelyn Kreutzer & Noga Stiassny | 2021

The Mechanics of Fluids | Gala Hernández López | 2022

Available until 25 Sep 2026

Conversations on Palestine from Elsewhere | Flavia Mazzarino | 2026

A History of the World According to Getty Images | Richard Misek | 2022

Untitled Video Essay | Muhammad Nour ElKhairy | 2026

Rejecting the Ghost-Viewer: Witnessing Film Archives of Palestine Beyond Passivity | Theo Panagopolous | 2026


what remains / geriye kalanlar | belit sağ | 2018

How Not to Be Seen: A Fucking Didactic Educational .mov File | Hito Steyerl | 2013

Image Empire | Alan Warburton | 2026