Ho Rui An (b. 1990, Singapore) is an artist, filmmaker, writer and educator whose research‑based practice spans film, performance, essay, lecture and theory. His work addresses labor, technology, governance and pedagogy in globalised Asia, often through durational, speculative works such as Student Bodies (2023). Ho’s interdisciplinary projects have been shown at venues like Centre Pompidou, and he actively contributes to debates in art and theory internationally.