Graeme Arnfield (b. 1991, UK) is an artist‑filmmaker, curator, composer, and writer whose essay films weave together networked imagery, archival materials, and sound to probe technology, ecology, and history. His work, ranging from shorts like Sitting in Darkness (2015) and Colossal Cave (2016), to feature-length essays such as Home Invasion (2023), uses investigative storytelling to interrogate digital networks, the circulation of ecological matter (like peat and asbestos), and the layered trajectories of local and global histories.